Melyssa Hubbard Interview

 

How do you start being involved in the BDSM community as a dominatrix?

 
Thank you for being the first in Europe to interview me. I will be interested to hear what a European audience thinks of my story. 

In the year 2000, I was introduced to the lifestyle via a boyfriend who showed me the early Internet societies on AOL (America On Line). My initial education of the D/s arts (dominance/submission) also took place in early underground chat rooms where I met a few amazing individuals in real life.  I was never keen on the American BDSM societies, but did try to work within them for a time after I was first outed in 2003 by local media.  I learned the vicious world of politics in underground kink societies before I practiced above ground in the real political arena where it matters. 

There’s a fun section in my book detailing the first time I visited a BDSM club three hours away from Indianapolis, Indiana in Chicago, Illinois. My book details many of my other early lifestyle D/s (Dominance/submission) adventures and how that journey led to my decision to go pro against the many internal moral obstacles I would have to reconcile to do so. 


James Owen Weatherall Interview

What’s the book The Physics of Wall Street all about?

The Physics of Wall Street tells the story of how, over the last hundred years, an increasing number of ideas—and, since the late 1970s, people as well—from fields such as physics and mathematics have migrated to finance.   These new ideas have changed how financial markets work in profound and lasting ways, and so if we want to understand financial markets, as investors or as policy-makers, we need to understand the role that physics and mathematics has come to play.  Most importantly, I argue that, if used carefully, these ideas can provide very effective tools for investors. But they also introduce significant new risks, including some that contributed to the 2007-08 financial crisis.  One of my main goals in the book is to give some insight into how we can use these tools more effectively, and hopefully avoid future crises.

Brett Scott Interview

Can you tell us about your background working in Finance and how did you come with the idea of writing The Heretic’s Guide to Global Finance – Hacking the Future of Money book?

In 2008 I undertook a somewhat subversive anthropological adventure into the financial sector in London. I ended up working for two years as a derivatives broker. Derivatives are large financial bets, and brokers spend all their time trying to convince large corporations and banks to use them. I learned a lot about the financial system and since leaving have continued to explore various aspects of the system. In the wake of the Occupy protests I was asked by Pluto Press to write a guide for activists on how the financial sector works, and how one can go about improving it.

Seth Godin Interview

It seems that during the last few years, controversy and “in your face” attitude have been used in several social related marketing campaigns. (France’s AIDES campaigns, Camp Okutta for Children online videos, MTV’s Sex is no accident…). What do you think about that trend? Do you think there must be a limit or, if the cause is noble, the marketer can be as provocative as he/she wants?

I think that provocation gets old, faster and faster. I’m not sure that doing good gives you the moral right to be obnoxious, but either way, it’s not going work for much longer.

What’s the most groundbreaking or outstanding social related marketing campaign that you’ve ever seen?

I’m more interested in what works than what’s cool. Kiva works, no doubt about it. AmeriCorps. The Peace Corps. Doctors without Borders…

Breaking Bad and Philosophy

Can you tell us a little about your background and how you ended up involved with the Popular Culture and Philosophy books?

ROBERT ARP: I first got involved in 2003 when two of my graduate student colleagues at Saint Louis University, Jason Eberl and Kevin Decker, got a contract with Open Court Publishers to do Star Wars and Philosophy in their Popular Culture and Philosophy series; the one that was started with Seinfeld and Philosophy and then the wildly successful The Simpsons and Philosophy.  I have a chapter in the Star Wars book about droids and what constitutes personhood.  Bill Irwin was series editor at that point.  He moved to Wiley-Blackwell and started The Blackwell Philosophy and Pop Culture series, and my South Park and Philosophy: You Know, I Learned Something Today was the first book in that series.  I have more than 30 chapters in these kinds of books, and I’ve edited another half dozen or so.  Hard to believe it’s been 10 years!

Jean Philippe Vergne Interview

What are the main points behind The Pirate Organization: Lessons from the Fringes of Capitalism book? How did you and Rodolphe Durand and you come up with the idea?

Back in 2005, at a time when I was reading a lot about cyber-piracy, I visited the Scheepvaart Museum in Amsterdam (Maritime Museum), which featured an exhibition about sea piracy in the 17^th century. And I began to realize there were many connections between these two historically distant forms of piracy. So I asked myself: why do we use the same term, “piracy”, to describe sea robbers in the modern age and some hackers nowadays in cyberspace? What do they have in common? A few years later, Rodolphe and I were talking about the history of capitalism from the perspective of Gilles Deleuze’s philosophy. We had similar views in many respects – in particular, we both believed that Deleuze (and Guattari) did a great job at theorizing capitalism, except that we felt that their story would benefit a lot from looking at an additional level of analysis – the organizational level. We were unsatisfied with the idea that capitalism was just about individual desires and the State. In between the two, there are many different types of organizations that channel human agency. In a way, the bureaucratic organization (in the Weberian sense) can be seen as the mother of all capitalist technologies. Pirates, in particular, are not lone wolves but belong to organizations that are sometimes powerful enough to change the course of history by making visible the inherent contradictions of the capitalist State. In fact, we realized that piracy was key in explaining many aspects of capitalism’s evolution that economists hadn’t addressed at all. We decided to join forces and write a book together in 2010. It first came out in French under the title L’Organisation Pirate.

Charles Eisenstein Interview

1. You say that money needs a transformation with a profound effect from profanity to sacredness. What’s behind the concept of Sacred Economics?

The book starts with the observation that money is not aligned with what is becoming sacred to us, for example ecological healing and social justice. In the past, we have just taken that opposition for granted. We assumed that goodness, sacredness, and so forth were outside the money realm, that holy people don't have much to do with money. But this is no longer sustainable, because the behavior that money drives is destroying the planet. We need to change the nature of money, so that it is no longer the enemy of sustainability, not to mention the sacred. The book describes how we got to our current state of a crisis that won't quite go away, and how we can change the money system and the economy that embeds it. It also explores the personal and community dimensions of this transition.

Carl King Interview

1. If you could give only one advice to someone who wants to launch an artistic career, which one would it be? A sort of “cast in stone” mantra that could be repeated over and over.

It's difficult to write it as a mantra. But artists need to learn about healthy compromise. That doesn't mean you should get taken advantage of, or never do the things you love, but unless you're already independently wealthy, you need to trade something of value to others in order to survive. It's how human society generally functions. If you don't bother to create something that other people want, you'll have a difficult life. I see artists of all ages who refuse to learn that simple lesson. 

Louis Ferrante Interview

1. In your book Mob Rules: What the Mafia can teach the legitimate businessman you talk about the importance of sniffing out opportunity. What is the best opportunity that you spotted and took advantage to?

There were many and most dealt with human relationships. Knowing I was a reliable guy who would never break my word, many people who had great opportunities fall into their laps but didn’t know what to do with them would bring them to me. So keeping your word and always delivering on your promises was like a magnet for opportunities.

Steve Jones Interview

 1. Brand Like a Rock Star is a very refreshing and well-researched book about branding. How did you come with the idea of writing it?

I’ve spent the bulk of my career managing radio station brands, and in that capacity I had a front row seat to the rise, and sometimes fall, of some legendary bands. I worked with the bands and labels to promote new releases, concerts, and stunts. Through my radio career I also watched other companies spending literally hundreds of millions of marketing dollars on campaigns that sometimes worked, and sometimes didn’t. So I came away with a unique perspective that combines both business and music… my two passions. Combining them led to the very enjoyable experience of researching and writing the book.